The educational program of Alexander Vinitsky
The educational program of Alexander Vinitsky includes workshops, master classes and private lessons. Also lessons on Skype.
"Classical Guitar In Jazz Music"
- Jazz and classical guitar.
The development of the auditory metronome and auditory metro-rhythmic sense of rhythm. Basic Principles of Teaching for beginners. Playing without notes. Exercises for the development of technology fingers of the left and right hands. Strokes, articulation, sound extraction. Getting students with notes and durations. The elements of improvisation in the classroom. How to do at home. Development of a sense of rhythm. Swing, Stride. "Ground Beat" - the basis of a meter. Exemption from the "terminal" as a way to metric freedom and stability in the game. Using the Metronome (Latin, swing). The ability to play rhythmically even with errors, the path to freedom metric. How to overcome the fear of mistakes. The organization and structure of the passage. The projection of the rhythmic structure of the play - as a way of forming phrases and meaningful interaction votes. The rhythmic framework plays a combination of various rhythmic structures (passages, arpeggios, chords). The technique of "walking bass". Swing and stride. Art of accompaniment.
- The basics of jazz harmony and improvisation.
Playing on the letter symbols and ways of arranging harmonic sequences. Chords built on the major and minor triads. Chords with the altered stages. Seventh. Chords and its resolution. The basic chord progression: I - II - V7 - I. Jazz chord cadence. Temporary tonic and dominant. Triton replacement. Sequences. Chord equipment and accompaniment.
The birth and development of the blues. Form of blues. Archaic (rural), traditional and modern blues. Blues music and blues scale. Using the blues scale in improvisation. Exercises for practicing improvisation using blues scale. Basics arrangements of blues themes.
- Brazilian bossa nova.
Brazilian musical culture. African roots of rhythm. "The rhythmic wave" - metric-based music in the style of bossa nova. The development of fingers of the right hand - the rhythmic pattern in the style of bossa nova and samba. The rhythmic relationship of parties. Features harmony Brazilian bossa nova. Accompaniment. Arranged tunes.
- Art of accompaniment.
The development of technology chord left hand. The development of technology right hand and stylistic accompaniment patterns. How to create the entry. How to create defeats based on the theme. How to create and develop options for the accompaniment to a song or play. How to create an accompaniment in different styles: a romance, a popular song, a popular play, jazz (swing), blues, Latin, New Age. Types Accompaniment arpeggios (various species), bass-chord game with double fingers, playing with "percussion" lining (the game with different strikes), the play chords. Styles: bossa nova, samba, stride, funk, jazz, rock, blues, pop, latino, waltz, swing, ballad.
- Development of a sense of rhythm.
"Grautn bit" - the basis of a meter. Exemption from the "jaws" of the body as a path to freedom and stability of the metric in the chosen rate. Using the Metronome. The ability to play rhythmically even with errors - the path to freedom metric. How to get rid of the fear of mistakes. The organization and structure of the passage. The rhythmic framework plays a combination of various rhythmic structures. Polyrhythmic structure of the play. The projection of musical textures - as a way to analyze the rhythmic structure of the piece. The technique of "walking bass". Stride and swing, bossa nova, samba, jazz, rock.
- The initial period of training - period of study without notes.
The seminar is based on the work "The teacher and the student. 95 duets. " The seminar explains how to work with a student from the first lesson, do not use musical notation, developing his ear, rhythmic nature, coordination, liaison with the guitar. The study notes and durations occurs gradually during the game duets, which are written in different musical styles of jazz and popular music. The paper pays much attention to rhythm and provides exercises for the development of the rhythmic nature of the musician. The technique of liberation from the terminal and from the fear of mistakes. All work is published in the note version with audio - CDs.